DOSSIER · DATES · CONTEXT

Avant-garde
timeline

A concise chronology: from Alexandra Exter’s Kyiv period to the international return of Ukrainian modernism to the museum spotlight.

01 / 1910–1949

Exter: Kyiv, experiment, theatre

1910s

Cubism, Futurism and colour

Alexandra Exter’s work brought together Cubism, Futurism and different forms of abstraction. During the decade she took part in major avant-garde exhibitions.

1917

The Kyiv studio

Exter opened her own studio in Kyiv. The source publication describes it as one of the centres of the city’s avant-garde culture and a place where a new artistic language was passed to the next generation.

1921

“5 × 5 = 25”

Exter participated in the celebrated exhibition alongside Liubov Popova, Alexander Rodchenko, Varvara Stepanova and Alexander Vesnin.

1924

Move to France

She settled in France and continued to work in painting, scenography, book design, teaching and applied art.

1949

An international legacy

Exter died in France. Her works are now held by major museums including MoMA in New York and Museo Nacional Thyssen-Bornemisza in Madrid.

02 / 2022–2024

Ukrainian modernism returns to the centre of attention

29.11.2022

In the Eye of the Storm

A major exhibition opened in Madrid, presenting modernist art made in Ukraine during the first decades of the twentieth century.

Thyssen-Bornemisza · Madrid
19.10.2023

Brussels

The Royal Museums of Fine Arts of Belgium presented more than sixty works, many loaned by Ukrainian museums for safekeeping during the war.

Brussels
29.06.2024

London

The Royal Academy of Arts opened the UK stage of the project with more than 70 works, from painting and collage to theatre design.

Royal Academy · London
Sources: the original Tamara Frankevich publication on Alexandra Exter; Museo Nacional Thyssen-Bornemisza; Royal Museums of Fine Arts of Belgium; Royal Academy of Arts.